Monday, November 30, 2009

The Road - A Movie Review



by Liz Goodwin

Last weekend, a couple friends and I took the Light Rail downtown and saw The Road. A couple of us had read the book and knew that we'd either be disappointed by a Hollywood style version of this Apocalyptic tale or we'd really be in trouble. For, if the movie could tell Cormac McCarthy's story even close to the way the book could, it would surely be upsetting. Surprisingly, our hearts were broken - and opened - for yet a second time around as we watched The Road on film.

For those of you unfamiliar with the plot, The Road is about a man and his son surviving in a post-apocalyptic world. Born into the first sounds of chaos and the barren reality of death - the result of what could be a nuclear war or possibly an environmental destruction - the boy follows his father as they escape home and head South on "The Road." As this quote from the book describes: "Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire."

To read entire article, click here.

Tuesday, November 24, 2009

Celluloid Reflections

by Stacey Prince

The first time I saw my identity as a lesbian woman reflected on film, it was a revelation. It was in Boston, about 23 years ago, the movie was Desert Hearts, and I was sitting way in the back (because the theater was packed) with my girlfriend at the time. I started crying about half an hour into the movie, and pretty much didn’t stop. It wasn’t so much anything about the movie itself (those of you who have seen it know it is not a cinematic masterpiece) but the experience of seeing my own identity reflected on that giant screen was so profound, I couldn’t contain my emotions. I wept with joy, with pain at the uncertainty of it all (I had come out to myself, but not yet to my parents or extended family) and with gratitude.

Last night, watching A Serious Man with my partner and two friends, I had a very different experience. The movie is the Coen Brothers’ latest, and is the first where they have delved deeply into their own Jewish identity, which has been only referenced in their previous films.

To read entire article click here.